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 James Harman's Profile |
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Strictly the Blues |
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| Location: | Huntington Beach, Orange County, California |
| Country: |  United States |
| Last Login: | Apr 25, 2008 (617 days back) |
About Me |
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| James Harman lives in southern California, but his music clearly reflects his southeastern roots. Born in 1946 in Anniston, Ala., to musical parents, Harman began piano lessons at age four and sang in the church choir. His father's Hohner Marine Band harmonicas were in the piano bench, and he would play them after his piano lessons. He experimented with other instruments as well, including guitar, organ, bass and drums, performing solo and with family members at dances and country suppers. He found the blues early in life, both on black radio and on the street corner: "Radio" Johnson, a local blind street singer who played slide guitar with a knife, was an early influence and collaborator.Harman's professional career began in 1962 after moving to Panama City, Fla. Soon after the move, he discovered like-minded friends, who invited him to black nightclubs to see such performers as Little Junior Parker, Jimmy Reed, Little Milton Campbell, Slim Harpo, Bobby Bland, O.V. Wright, B.B. King, Otis Redding, Solomon Burke, Joe Tex and James Carr. He began hanging out on a regular basis and was eventually asked to sit in by local house bands, becoming known as "that boy who sings like a man." Encouraged by this acceptance, Harman launched the first of his many rhythm 'n' blues ensembles, using such names as King James and the Royals; Snakedoctor; Disciples of Soul; Disciples of Blues; The Disciples; Voo Doo Daddy; Soul Senders; Pieces of Eight; Kingsnakes; and finally, The Icehouse Blues Band.The buzz surrounding James' live shows attracted talent scouts from several southern record companies. Earl Caldwell, manager of the Swinging Medallions, signed Harman and took him to the Ken-Tel recording studio on Peachtree Street in Atlanta, GA. In 1964, 18-year-old James cut the first of nine regional 45 RPM singles that would appear on five different labels and put him on the road. James toured the eastern half of the country for the rest of the decade, playing radio station dances, fraternity parties, nightclubs, college concerts, after-hours joints, striptease parlors, bottle clubs (in which Harman would play all night, literally, performing six to eight sets of music) and honky tonks. When he wasn't headlining his own show, he was opening for and/or backing the top R&B artists of the day.During the mid 1960s, Harman relocated to Chicago, New York, Miami, and New Orleans, in efforts to find a home for his music. For various reasons, these moves didn't work: In Chicago, the club scene was sewn up tight by Howlin' Wolf, Muddy Waters, Junior Wells, Buddy Guy, Charlie Musselwhite and Paul Butterfield. Also, the Windy City, like New York, was just too cold for this Southerners thin gulf coast blood. New Orleans was a violent place, and its music scene at the time consisted of "47 bands on Bourbon Street playing 'Proud Mary," Harman recalls, and a ghetto club scene devoted to R&B and soul music. His recorded work seemed to be of no help. Harman did enjoy some success in Miami. He played free "love-ins" from the backs of flatbed trucks for large crowds of hippies, by day. By night, he played such clubs as the Climax or the Jet-Away Lounge. At the latter, he was the first white act to perform and one of the very first to do so with a racially integrated band. Still, opportunities in Miami were limited; even with a history of recording and touring. All that most local bands could hope for was an opening slot on a larger show.So, in 1970, at the advise of his fellow record collector friends, Canned Heat's Bob Hite, Alan Wilson and Henry Vestine, Harman moved to southern California. Within a month, Harman was performing at the Golden Bear, Troubadour, Ash Grove and Lighthouse, where he and his band were able to play real blues for real blues audiences. Almost immediately, Harman connected with a small community of kindred spirits, such as Rod Piazza, who was leading the band Bacon Fat, Kim "Goleta Slim" Wilson and John "Juke" Logan of the band Brother Chaos. Collectively, these four performers and their bands backed and/or opened for the last great blues artists of an earlier era, both those who lived in the Los Angeles area or visited it while on tour. The "Icehouse Blues Band featuring James Harman" played one- to six-night stints with the likes of Big Joe Turner, John Lee Hooker, Freddie King, Muddy Waters, Albert King, B.B. King, T-Bone Walker, Lloyd Glenn, Lowell Fulsom, Eddie "Cleanhead" Vinson, Johnny "Guitar" Watson and Albert Collins. The disco and urban cowboy fads of the late '70s nearly killed club work for blues musicians. Two bouts with bleeding ulcers and two painful divorces almost killed Harman himself! But in 1977 he rebounded to form a new band, with his old piano player, Gene Taylor, using his own name for the first time.The James Harman Band has been a touchstone for notable players, including Phil Alvin and Bill Bateman, who left in 1978 to form the Blasters; "Piano Gene" Taylor, who left in 1981, also to join the Blasters before moving on to the Fabulous Thunderbirds; and David "Kid" Ramos. Ramos played 10 years with Harman, retiring in 1988, return to the blues as guitarist for the Fabulous Thunderbirds, for a time. Alumni also include the late Michael "Hollywood Fats" Mann, who played five years with James after leaving his own band in 1980; multi-instrumentalist session man and tunesmith Jeff Turmes played saxophones with James for years, switching to the bass for six more years beginning in 1988. Alumni drummers include Richard Innes, Stephen T. Hodges, Steve Mugalian and Paul Fasulo to name a few. Along the way, Harman's own production company: Icepick Productions, has generated more than a dozen releases to add to the fifteen he had released before using his own name. These twenty nine releases are the fruit of his forty plus year career, at this point. While Harman continues to perform and record, he also produces recording projects for other artists. As a producer he uses the four decades worth of studio experience and his special knack for "hearing" how songs should be recorded. Harman spent 35 years as 50/50 partner with Jerry Hall. The pair worked together since 1971. Hall engineered every track of every Harman release since that time, and together the pair has produced many other artists.Meanwhile, seventeen songs from James Harman's releases have been featured in films and television, the most famous being "Kiss of Fire" (from Those Dangerous Gentlemens on Rhino Records), which was the background for the infamous rape scene in "The Accused" (starring Jodie Foster). James' "Jump My Baby" (from Thank You Baby on Enigma Records) has been in three different movies, including "Burning Love." Harman has received 19 W.C. Handy (now changed to Blues Foundation) Blues Award nominations, for his songs on his own releases and for other artists albums, such as his friend and alumni Kid Ramos. Through the years Harman has received several Handy nominations for Blues Song of the Year, Blues Single of the Year and even Re-release of the Year for the CD reissue of his landmark 1987 album, Extra Napkins. James Harman has been inducted into the Alabama Music Hall of Fame and twice won the Best Blues Album of the Year" award, from Canada's Real Blues Magazine.Harman has performed live shows in 21 countries, as many as 250 dates per year, including appearances at such North American festivals as the Long Beach Blues Festival, the New York State Blues Festival, the Kansas City Blues and Jazz Heritage Festival, the King Biscuit Festival in Helena, AR, the Bumbershoot Festival in Seattle, the Bayfront Blues Festival in Duluth, MN, the Waterfront Festival in Portland, OR, the Edmonton (Canada) Blues Festival, and other festivals from Montreal to Mexico City. Abroad, Harman has appeared at the Peer and Spring Blues Festivals in Belgium, the Notodden and Hell Festivals in Norway, The Moulin Blues Festival in Holland, the Great Britain R&B Festival in Colne, England, the Milano and Pistoia Festivals in Italy and the Bayron Bay Festival in Australia, to name a few.In more than four decades of touring and recording, Harman has staked his claim as an original, legitimate blues artist, musician and producer. In his recordings and live performances, James creates music that stands out as unique and personal yet clearly reflects his passion for the roots of the blues. Harman learned a key secret years ago: You have to develop your own approach and identity in order to have lasting success. As vocalist, musician and songwriter, James Harman chronicles life with energy, wit and humor. He has a novelist's eye for detail and irony, and the result is well-conceived music that stands the test of time. Harman's roots are apparent in his recordings and live performances. He is a disciple of the classic qualities of the Southern blues tradition. Still, like his mentors, Harman is telling his own stories. He knows the difference between innovation and imitation, and his own character as a blues artist is fully reflected in his work. In all cases, he remains true to his credo: Strictly the blues.--Bryan Powell | |
My Interests |
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Music:Member Since: 8/18/2006Band Website: jamesharman.com Band Members: James Harman: singin', blowin' harmonicas and shakin' stuff! Nathan James: playin' electric and/or acoustic guitars and singin' sometimes! James Micheal Tempo: playin' a world of cool Afro-Cuban percussion! Steven Hodges: layin' down a vibe on drums & percussion like nobody else! Buddy Clark: playin' upright and/or Fender bass as needed! When a guitar fill in must happen it's: Rick Holmstrom, Junior Watson, Kid Ramos, Kirk Fletcher or "Little Frank". When a drum fill-in must happen it's: Steve Mugalian or Don Heffinton. There ain't but the one Tempo and without Buddy Clark, I would just cancel the date! Influences: There is not enough blank space in the whole stinkin' net to cover that subject ... let's just move on. Sounds Like: Otis Redding and a visiting Calypso Band, drunk on homemade wine, fist fightin' Howlin' Wolf, Sonny Boy Williamson and The Mighty Sparrow, in a double wide 57 foot, rusty trailer, parked in the Walmarts parkin' lot, in Two Egg Florida on the 5th of July in 1962! Record Label: 30 releases on 15 labels, I'm done with 'em! Type of Label: None |
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My Background and Lifestyle |
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| Occupation: | Music Artist (Blues / Roots Music / Grime) |
My Pictures |
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My Friends |
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Nathan James & Ben Hernandez, Ben Hernandez, Kid Ramos, Doug MacLeod, John Hammond, Billy Watson & His Intl. Silver String Sub. Band, Bob Corritore, Rhythm Room All-Stars, paul oscher, Hacienda Brothers, Chet and The Committee, Chas Lewis, Ronni Boysen, RYLO, Charlie Musselwhite, hook herrera, RJ, Mr. Mark, Lisa Clark, IKO IKO, ZZ Top, Don, mister t, anthony, JET BLACK, Onesidezero - NEW ALBUM IN STORES NOW!!, JT Ross Harmonica Boss, Tony Boyd, MoFo Party Band, Homeward Bound, Anders Damaas, Harry Oman, The Mojo Gypsies, Harmonica Shah and his Detroit Blues Band, Mette, hook, Allison, Arthur Kitchener, Bill Stuve, Rob's Blues, MAD Blues, Steve Kozak’s WestCoast Blues Revue, Dean Kreplin Sr., James Day and the Fish Fry, Kenny Blue Ray, Road Dog 51, Another Shade Of Blues, Mississippi Blue, PERE, Melo-Melo, René, Katie Louise, charlieharp, JaBeaux, Gino Matteo, LAZY STEP, DirtyHands Steve, René, Francine Calo, Memphis Gold, Harri, PEPE AHLQVIST, Linda Marie, Whiteboy James & The Blues Express, Manuela, VICTOR URIS, double0blues, Hank Deluxe, Patrick Recob, Richard Carr, Alex Rossi, Mister Conrad and The Excellos, stu, RADIO FREE INDY, Custom Harp
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Tags |
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James Harman's profile has been tagged with the following keywords. Click a tag to search for profiles with the same tags. roots music, james harman, blues music, music artist, orange county, blues roots, music blues, california music, played slide guitar, piano lessons, blind street singer, harmonicas, black radio, panama city fla, bass and drums, piano bench, minded friends, musical parents, church choir, hohner, music, singin, percussion, tempo, howlin wolf, otis redding, harmonicas, calypso band, james harman, nathan james, fender bass, junior watson, homemade wine, afro cuban, blank space, kid ramos, fightin, acoustic guitars, buddy clark |
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