Steve Cole's Profile |
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STEVE COLE |
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| Location: | CHICAGO, Illinois |
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| Last Login: | Jul 2, 2008 (541 days back) |
About Me |
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| STEVE COLE "TRUE"
“One of the things I really wanted to do on this record,” says saxophone virtuoso Steve Cole of his new disc, True, “was play.” It might seem that Cole is belaboring the obvious, given that the saxman is one of the most celebrated players in contemporary jazz, having sold hundreds of thousands of albums worldwide and scored four 1 R&R Smooth Jazz hits. But he insists that creating True enabled him to explore as a soloist—in a way he never had before in the studio—coming closer than ever to the joy of live performance. As player, producer and songwriter, Cole has always given pop songcraft and structure a central role. He still emphasizes indelibly hooky melody lines and sophisticated changes on True, but he also embraces the ecstasy of the expressive solo. “I’ve always been focused on the composition as a recording artist, but most of the satisfaction I’ve ever gotten as a player has been when I am stretching out,” he volunteers. “I really wanted to do that this time.” “In my live show I really try to build excitement through improvisation, which I haven’t done enough of in my recordings,” he adds. “But a lot of the substance of a player is evident once they get off the melody and start improvising. That’s a window into who you are. The audience really responds if you reach something in a solo. Your eyes are closed and you’re just trying to bring this feeling out, and suddenly everyone is clapping and standing up.” Refining his emotional, powerfully melodic blend of jazz, soul, R&B, pop and dance, True represents a return to Cole’s roots following 2005’s pop/rock-leaning Spin. On such cuts as the seductively grooving “Bounce,” the jazz-chill hybrid “Côté Seine,” the lush, soulful “Curtis,” the ravishing “Take Me” and the club-rocking “Metro,” Cole digs deeper than ever as a player. With help from a superlative crew of musicians, he strove, this time out, to capture the earthy, spontaneous vibe of the records that have always inspired him. Citing key albums by such artists as David Sanborn, Grover Washington, Jr., Spyro Gyra and George Benson, Cole explains that the previous era’s production ethos centered on unique artists with compelling voices on their instruments, well-crafted material and an esprit de corps among musicians, rather than “who’s got the best sample library or can work wonders with ProTools.” Recording almost entirely live, Cole and his gifted crew—including bassists Richard Patterson (Miles Davis, Boz Scaggs, Sanborn) and Steve Rodby (Pat Metheny), drummer Khari Parker (Scaggs, Destiny’s Child, Beyonce’), keyboard wizard Ricky Peterson (John Mayer, David Sanborn, Bonnie Raitt), guitarist and co-writer David Hiltebrand, sax player-keyboardist and co-writer David Mann and percussionist Lenny Castro—strove to capture a similar kind of magic. The project was mixed by Grammy-nominated engineer Craig Bauer (Kanye West’s Late Registration) “All the records I listened to as a kid that made me love this music so much and want so desperately to be an artist in this genre—I wanted to go back to that tradition,” Cole reflects. In a number of ways, True also connects strongly to Cole’s hometown of Chicago, with its evocation of Windy City soul icon Curtis Mayfield’s spirit on “Curtis,” its salute to Chicago House music on “Metro” and its homage to local hero and jazz-funk luminary Quincy Jones on “Just a Natural Thang,” among other tracks. “So much of the music that influenced this record is rooted in Chicago, though I didn’t plan it,” the saxophonist muses. “It just came out that way.” Cole grew up in Chicago, the son of a jazz saxophonist; his dad’s extraordinary library of LPs helped ignite his love of jazz and R&B. “His record collection was pretty comprehensive,” Cole recalls. I listened to everything, just exploring. I loved Dave Brubeck; Paul Desmond was a mysterious character to me, and his sound was so simple and so deep at the same time.” Under his father’s tutelage, Cole learned to identify different horn players on the radio. “That’s where I started to think, ‘One day I want someone to listen to something and know it’s me,’” he says. He took saxophone lessons and quickly determined that he’d found his instrument. “I’m a tenor player—that’s my voice,” Cole informs. “From the day I picked it up, it just felt right.” (Cole is also an accomplished alto and soprano player, but the timbre and tone of the tenor make it his ultimate expressive tool.) He attended Northwestern University, where he explored modern classical music for the saxophone—even performing with the Chicago Symphony Orchestra—and simultaneously earned a business degree. Taking a break from music, he worked as a management consultant and corporate strategist, and earned an MBA from the University of Chicago. Though he believes his business studies and experience have been extremely useful for his career, Cole admits he regrets “not focusing 100% on my playing” during that period. He began making up for lost time, however, playing sessions and club gigs wherever possible; he recorded with blues legend Junior Wells and began playing, writing and producing with Atlantic Records artists Bob Mamet and Brian Culbertson. His visibility at the label grew, and soon Cole signed his own deal with Atlantic. He released his debut disc, Stay Awhile, in 1998; it yielded the hits “Where the Night Begins,” “When I Think of You” and “Say It Again” and earned Cole a Prism Award for Best New Artist at the 2000 Oasis Awards. “I was very naïve and wasn’t thinking about anything but writing the music that came naturally, which was great,” he remembers with a laugh. “I really enjoyed making that record, because ignorance is bliss. I feel this new record came out of the same intuitive spirit, even though I knew a lot more going in.” In addition to touring and/or recording with Boz Scaggs, Larry Carlton, Jeff Lorber Freddie Cole, Cyrus Chestnut, KMFDM, Rick Braun and other artists, he issued a follow-up disc, Between Us, which featured the chart-topping singles “Got It Goin’ On” and “From the Start.” His third album, 2003’s NY LA, included the hit “Off Broadway” and his acclaimed cover of TLC’s “Waterfalls.” 2005’s Spin found Cole adapting elements of singer-songwriter pop to his instrumental style, a result of imbibing records by Beck, John Mayer and other rock-leaning acts. He even learned to play guitar for the record. But the classic R&B/jazz that had first prompted him to pick up the sax wouldn’t stop calling to him. With his latest creation, he’s staying True to his origins. “I’ve always been a really expressive player, and I gravitate toward expressive music,” he ventures. “The most satisfaction I get out of playing is when I’m able to convey some emotion to the audience and actually feel it. There’s been a bit of anonymity in some of the music lately; I think the audience wants to have a little more insight into an artist’s humanity, their heart. It’s hard to do that with lots of programming and technology.” Grabbing his horn, some outstandingly talented friends and the production reins, Cole has paid fitting tribute to the music that influenced him. “To me, music needs to be human and organic—that’s when people respond, when it gives them a window into who the artist is,” he declares. “The more artists can express themselves in a production, the more profound that can be.” |
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My Interests |
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Music:Member Since: 9/18/2005Band Website: stevecole.net Band Members: Influences: Van Morrison James Taylor Maceo Parker Ray Charles Grover Washington, Jr. Eric Clapton John Mayer Bonnie Raitt David Sanborn Boz Scaggs James Brown Michael Brecker Massive Attack Art Blakey John Coltrane Tom Petty Jimi Hendrix King Curtis Stevie Ray Vaughan ELO Sounds Like: Record Label: EMI/Narada Type of Label: Major |
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My Background and Lifestyle |
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| Occupation: | Music Artist (Nu-Jazz / Soul / Funk) |
My Pictures |
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My Blog |
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Steve Cole on Television |
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| LATEST BLOG ENTRY In support of a show that I played in Chicago at ... Posted by Steve Cole on Wed, 07 Mar 2007 09:13:00 PST |
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Website Updates |
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| Hey:Just added some very cool updates to the website. Click below and check it out.... Posted by Steve Cole on Sun, 17 Dec 2006 10:28:00 PST |
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Metro REMixed |
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| ..The first single "Metro" from my new CD TRUE has been remixed by none other than Vince Lawrence. For those of you who don't know, Vince Lawrence is an internationally recognized innovator in dance ... Posted by Steve Cole on Sun, 17 Dec 2006 10:19:00 PST |
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Been Listening To Lester Young Lately |
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| In 1977 Verve released an album called "Lester Swings", Five brilliant small group sessions originally recorded in 1945, 1950 and 1951 featuring Lester Young with pianists Nat "King" Cole, Hank Jones,... Posted by Steve Cole on Sun, 17 Dec 2006 10:12:00 PST |
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NEW CD IN STORES NOW |
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| ... Posted by Steve Cole on Mon, 27 Nov 2006 10:30:00 PST |
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Playgirl Magazine LOVES the Steve Cole Band |
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| Today I found out that my new CD "SPIN" is featured in the October issue of Playgirl Magazine. How cool is that? It was kind of funny when I went in to Tower Records and purchased all 10 c... Posted by Steve Cole on Mon, 03 Oct 2005 12:01:00 PST |
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San Diego Show |
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| I got to San Diego a few days before the show to do the morning show on KUSI. I must admit that after spending the night before in the Gas Lamp quarter, I ended up staying up all night to make the 7 ... Posted by Steve Cole on Wed, 21 Sep 2005 08:57:00 PST |
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Welcome |
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| Welcome to my corner of MYSPACE. Check out the music!!! Posted by Steve Cole on Mon, 19 Sep 2005 12:17:00 PST |
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My Friends |
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The Sax Pack, Ramin Streets, Taylor Mills, Todd Sucherman, Jeff Lorber, Nick Colionne, Richard Patterson, Lamar Jones, Art Mapa, Black Essox, Kathy, ~PARIS~, Unique, Cammy, ChArLiE HUnT, A Phenomenal Woman, Diane, CRIS, ANGELO DOMINICK, Michael Manson, Mauro Bottini, ANDREA, David Machado, Stanley Abernathy, 老醋布丁, Annalee, Shane, Errol, jaazzzyj, JaNina Diestler, LuiSaxo, Shannie, Wayne, Lads Bandone, Tammy Greene - GEG Events, ♫♪ DJ DebHoney ♪♫, John Carlotto, Tim Yett, Shadez of Bluez, FunKy>ZoNe, Mango Machine, Maximilian Baritz, Bill McGee, LadyTee, MJ, Amanda, Sparkle Nesby, Diego Lopez
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Tags |
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Steve Cole's profile has been tagged with the following keywords. Click a tag to search for profiles with the same tags. hybrid c, melody lines, jazz hits, melodic blend, cole music, jazz soul, contemporary jazz, soul funk, saxman, smooth jazz, true one, soloist, music artist, live performance, virtuoso, improvisation, saxophone, ecstasy, chicago illinois, vibe |
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