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 Sean Kirkpatrick's Profile |
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Looking for the cushion on the sensor patch |
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| Location: | DALLAS, |
| Country: |  United States |
| Last Login: | Jun 12, 2008 (574 days back) |
About Me |
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"The piano, in some form, has challenged the boundaries of popular music since Mozart used his compositions to thumb his nose at Austrian royalty. Before the electric guitar became a symbol of rebellion, the ivories provided a musical voice for lust, freedom, sadness and celebration. In that tradition, Dallas songwriter Sean Kirkpatrick has eschewed six strings for the true passion of 88 - paired with hammers and connected to keys, of course - for the majority of his musical career. After fronting Dallas/Denton bands like no-scene darlings Maxine’s Radiator (1994-1998), the synth-punk outfit The Signals (2001-2002), and co-piloting the electro-rock group The Falcon Project (1998-2002), Kirkpatrick had earned a name for himself as an in-demand musician. He spent a year in beloved indie band Spoon and was later asked to join the Kill Rock Stars group The Paper Chase, of which he remains a member. But during all of Kirkpatrick’s time in various bands, he has been busy writing his own songs. After a couple of years playing alone to fans, he finally presents his debut full-length of solo material, Turn On the Interference. It’s an album of haunting melodies spanning carnival to dirge, with Kirkpatrick’s fingers traversing the keys throughout each track. "The Interference" sends bluesy to space and back, and "Quiet As He’s Sleeping" takes what are sometimes near-barrelhouse keys into an almost sinister arena. "Erica, Welcome to the Funhouse" is the swirling, swaying equivalent of looking into that very funhouse’s mirror. Interference is quite obviously a labor of love - but more than the romantic sort. Kirkpatrick’s love of the craft as well as the musicians that inspire him are evident in his composition, performance and experimentation song after song. Samples, effects and accompanying instruments aside, however, Kirkpatrick’s Turn On the Interference is very much a singer/songwriter’s album. It is, at its very core, an exercise in expression via 88 keys and one voice." |
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My Interests |
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Music:Member Since: 10/21/2004Band Members: A little help from Robert Anderson, Ian Hamilton, sometimes others. Influences: Feather of Forgiveness Type of Label: None |
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My Background and Lifestyle |
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| Occupation: | Music Artist (Other / Italian pop / Rock) |
My Pictures |
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My Friends |
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the paper chase, Ian, Robert, Jelly Roll Morton, Shiny Around the Edges, Record Hop, The Great Tyrant, Daniel Folmer, Tre Orsi, sub oslo, STUMPTONE, Andrew, VLAS VEGAS RECORDS, BLIXABOY, HITCH, Sickly Bug, Will E. Lee, Horror Remix, THE R.I.P ZONE, Elayne, starhead, CHATTY CATHY, Death is not a joyride., michAel, driftwood, GUTTERTH, Sally...that girl, merritt, NestofVipers, FATE [Like the peanut butter!][KTM], Las Vegas Club*, alyssa, The Divorced, angelique congleton, Josh T. Pearson, Johnny Dildonics, ZANZIBAR SNAILS, dust congress, Dez Almighty, The LongJ, King Black Acid, Happy Little Atom
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Tags |
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Sean Kirkpatrick's profile has been tagged with the following keywords. Click a tag to search for profiles with the same tags. dallas songwriter, kill rock stars, falcon project, haunting melodies, punk outfit, paper chase, strawberry fields, true passion, rsquo, rock dallas, italian pop, musical voice, electro rock, ivories, indie band, solo material, dallas denton, kirkpatrick, musical career, rock group |
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